How courts are interpreting transformative use

Managing IP is part of Legal Benchmarking Limited, 1-2 Paris Gardens, London, SE1 8ND

Copyright © Legal Benchmarking Limited and its affiliated companies 2026

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

How courts are interpreting transformative use

American football players and comic book villains featured in a discussion yesterday about the balance that should be struck between First Amendment protections and an individual’s right of publicity.

Much of the discussion in the Sports and Entertainment—The Intersection of the First Amendment, the Lanham Act and State Rights of Publicity session focused on the transformative use test, which was created by Comedy III Productions v Gary Saderup in 2001. This was a right of publicity dispute over an artist’s use of the image of the Three Stooges on t-shirts. The test said when a work contains significant transformative elements it is worthy of First Amendment protection and also less likely to interfere with the economic interest protected by the right of publicity.

Courts have been grappling with the question of whether a work is significantly transformative ever since. In Winter v DC Comics in 2003, two Texan musician brothers claimed that two characters in the Jonah Hex comics were based on them. The characters were singing Wild West cowboys who battled worm-like creatures from below the surface of the earth. The California Supreme Court found the use to be transformative.

In Kirby v Sega in California in 2006, the lead singer of Deee-light claimed that the character Ulala in the video game Space Channel 5 was an unauthorized use of her likeness. However, Robert Lee of Alston & Bird noted in the session that the Ulala character “killed characters with crazy dance moves and a ray gun.” So despite Sega also asking the singer to help promote the game at one point, the court found the character contained sufficient expressive content to constitute transformative use. “This is a case where context is key,” said Lee.

In contrast, the courts in three cases brought against video game maker Electronic Arts did not find transformative use. College football players were depicted with the same characteristics such as shirt number, team, height and weight as the plaintiffs. “There is a lot of expressive content in these video games but the court focused on the fact that these players were depicted in a context in which they are known in the real world,” said Lee.

Patrick Perkins of Warner Bros also noted: “There was also a sense of unfairness that everybody was making money on their likeness because they were amateur players, so it was very results driven.”

The Slants case raises First Amendment question

The First Amendment is also playing a big part in another trademark case involving the band The Slants. Last week, the Federal Circuit issued an order announcing that it will rehear the case en banc. The order vacated the Federal Circuit’s ruling that the application for the mark SLANTS for an Asian American rock band should be denied because it ran afoul of the prohibition against disparaging marks. The order directed the parties to prepare briefs addressing whether this ban violates the right to free speech as guaranteed by the First Amendment. Judge Kimberly Moore penned the decision denying Simon Tam’s registration of the SLANTS mark (Tam is a member of the band), finding that the term was a slur against Asians, even though Tam argued that the name was an attempt to reclaim the insult. However, Moore also wrote an “additional views” section, which the other judges did not sign on to, calling into question the constitutionality of the prohibition against disparaging marks.

more from across site and SHARED ros bottom lb

More from across our site

Former professional cricketer Ben Scott talks through the challenges of building a legal tech platform, transitioning from sportsman to entrepreneur and why he believes he has found a gap in the market
The benefits of offering a range of services, innovative enforcement approaches, and gradual AI adoption are all helping SyCip Salazar Hernandez & Gatmaitan develop its IP offering
Nick Redfearn, head of enforcement at Rouse and a classic car enthusiast, explains the sudden viral appearance of classic car restomod parts from China and the impact of IP in this new trade
Our 2026 rankings for Western Europe, taken with historical data, reveal that some European IP markets hardly change – while others are more fluid
Selina Hinchliffe, head of commercial services at Shakespeare Martineau, reflects on rejecting Cambridge, leading through empathy, and why authenticity matters more than fitting in
US corporates are using the UPC, but much of that work still flows to European boutiques. Last week’s merger, as well as others, could alter that dynamic
Publicly listed Australian group IPH delivered on its promise to profoundly shake up the Canadian market. Four years on, rivals have had time to adapt
IP practitioners debate whether new guidelines will make it more difficult to challenge a patent
Varuni Paranavitane says she is excited to bring ‘rounded expertise’ to the firm, which will have a solicitor in its ranks for the first time
Lawyers adapting to AI-driven recommendations are being pushed to demonstrate expertise publicly rather than simply relying on a polished website
Gift this article