AI platforms score early win in copyright class action

Managing IP is part of Legal Benchmarking Limited, 4 Bouverie Street, London, EC4Y 8AX

Copyright © Legal Benchmarking Limited and its affiliated companies 2025

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

AI platforms score early win in copyright class action

Stability AI.jpeg

A California court dismissed most of the claims filed by a group of artists in a copyright case against Midjourney, Stability AI and DeviantArt

The US District Court for the Northern District of California dismissed most of the claims filed by a group of artists against three generative artificial intelligence platforms in a copyright case yesterday, October 30.

Artists Sarah Anderson, Kelly McKernan, and Karla Ortiz accused Midjourney, DeviantArt, and Stability AI of infringing their artwork.

In a class-action complaint filed in January this year, the artists alleged that the platforms had taken billions of training images that had been scraped from public websites, including their own. The platforms subsequently filed a motion to dismiss the claims.

Judge William Orrick dismissed the complaint against DeviantArt and Midjourney ruling that it “was defective in numerous aspects”.

Orrick allowed Anderson to pursue a claim that Stability AI had used her works for training.

However, he dismissed McKernan and Ortiz’s claims against Stability AI because they had not registered their work with the US Copyright Office – a prerequisite for bringing an infringement action in the US.

The judge also dismissed right of publicity and unfair competition claims brought against the three platforms.

Advantage AI

Earlier this year, when various copyright infringement lawsuits were filed against generative AI platforms, counsel predicted that the biggest challenge for copyright owners would be fending off the platforms’ motions to dismiss.

In his reasoning for siding with the AI platforms, Orrick noted that the plaintiffs admitted it was likely that the platforms' images would be unlikely to match with any specific image they had created.

The artists were, however, granted leave to amend their claims, which means they can rethink their arguments.

However, Orrick said he wasn’t convinced that allegations could survive if the artists failed to prove that the generated images were substantially similar to their works.

more from across site and SHARED ros bottom lb

More from across our site

Elizabeth Godfrey explains why she doesn’t believe in a ‘salesperson’ approach to BD, and reveals how AI is playing an important role at Davies Collison Cave
Partner moves data from April and May showed the firm boosted its presence in California, while another firm expanded in Atlanta
Angela Oliver shares tips for preparing oral arguments, and reveals her passion for marine biology
The Getty Images v Stability AI case, which will hear untested points of law, is a reminder of the importance of the legal system and the excitement it can generate
Firms explain the IP concerns that can arise amid attempts by brands to show off their ‘Canadianness’ to consumers
Counsel say they will be monitoring issues such as the placement of house marks, and how Mondelēz demonstrates a likelihood of confusion in its dispute with Aldi
The EUIPO expanding its mediation services and a new Riyadh office for Simmons & Simmons were also among the top talking points this week
David Boundy explains why Pierson Ferdinand provides a platform that will allow him to use administrative law to address IP concerns
Developments included an anti-anti-suit injunction being granted for the first time, and the court clarifying that it can adjudicate over alleged infringements that occurred before June 2023
Griffith Hack’s Amanda Stark, one of our ‘Top 250 Women in IP’, explains how peer support from male colleagues is crucial, and reveals why the life sciences sector is thriving
Gift this article