Exclusive: Dolby-backed Opus pool reveals royalty demands

Managing IP is part of Legal Benchmarking Limited, 1-2 Paris Gardens, London, SE1 8ND

Copyright © Legal Benchmarking Limited and its affiliated companies 2025

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

Exclusive: Dolby-backed Opus pool reveals royalty demands

AdobeStock_482647355 (1).jpeg

The Vectis IP pool will charge €15c per unit for access to patents covering the Opus audio technology standard

Licensing firm Vectis IP, backed by Dolby and research group Fraunhofer, launched a new patent pool for the Opus audio technology standard today, January 16.

The pool licence offers access to more than 300 patents owned by Dolby and Fraunhofer at a rate of €15c ($16c) per unit with an annual cap of €15 million.

Licensees who sign up before October this year will pay a lower rate of €10c per unit, subject to an annual cap of €10 million.

The pool will not seek any royalties from licensees who sign up before October for any historic use of the standard.

The royalties charged to licensees who sign up after October will date to January 1, 2023.

The Opus standard was developed by programmers at Skype, Mozilla, and the Xiph.Org Foundation.

These organisations made a commitment to license the tech on an open-access, royalty-free basis.

None of Vectis, Dolby, or Fraunhofer were part of the standardisation process for Opus, which was carried out by the Internet Engineering Task Force.

Giustino de Sanctis, CEO of Vectis IP, told Managing IP that the original Opus developers’ royalty-free commitment didn’t cover all of the patents essential to the standard.

De Sanctis said the pool would target licensees involved in the manufacture of tablets, PCs, and smartphones.

Asked whether implementers would react negatively to being asked to pay for access to Opus technology, he said Vectis would work to educate the market.

“If the market has a certain expectation, you have to face that expectation.”

He acknowledged a comparison with the auto industry, which initially resisted pressure to license cellular patents.

“Automakers never thought this was a problem.

“It will be part of our job to go out there and explain this reality,” he said.

De Sanctis said the pool had been involved in discussions with potential licensors since an original call for patents last September.

more from across site and SHARED ros bottom lb

More from across our site

Lawyers at Lavoix provide an overview of the UPC’s approach to inventive step and whether the forum is promoting its own approach rather than following the EPO
Andrew Blattman, who helped IPH gain significant ground in Asia and Canada, will leave in the second half of 2026
The court ordering a complainant to rank its arguments in order of potential success and a win for Edwards Lifesciences were among the top developments in recent weeks
Frederick Lee has rejoined Boies Schiller Flexner, bolstering the firm’s capabilities across AI, media, and entertainment
Nirav Desai and Sasha S Rao at Sterne, Kessler, Goldstein & Fox explore how companies’ efforts to manage tariffs by altering corporate structures can undermine their ability to assert their patents and recover damages
Monika Żuraw, founder of Żuraw & Partners, discusses why IP should be part of the foundation of a business, and taking on projects that others walk away from
Lawyers say attention will turn to the UK government’s AI consultation after judgment fails to match pre-trial hype
Susan Keston and Rachel Fetches at HGF explain why the CoA’s decision to grant the UPC’s first permanent injunction demonstrates the court’s readiness to diverge from national court judgments
IP, M&A, life sciences and competition partners advised on deal that brings together brands such as ‘Huggies’ and ‘Kleenex’ with ‘Band-Aid’ and ‘Tylenol’
Stability AI, represented by Bird & Bird, is not liable for secondary copyright infringement, though Fieldfisher client Getty succeeds in some trademark claims
Gift this article