All material subject to strictly enforced copyright laws. © 2022 Managing IP is part of the Euromoney Institutional Investor PLC group.

Are game show formats in Vietnam protected by copyright?

Sponsored by tillekegibbins.png
alex-meza-rtb5v-bvebk-unsplash.jpg

Trung Nguyen and Phuong Thuy Nguyen explain why it is not easy to enforce the copyright of a game show in Vietnam

TV game shows play an important role in the Vietnamese entertainment industry, as in the global market. Many well-known game shows from other countries have been franchised or licensed for broadcast in Vietnam, including ‘Who Wants to Be a Millionaire?’, ‘Vietnam’s Got Talent’, and ‘The Voice’, drawing large audiences and generating billions of VND from commercialised activities. 

Other popular shows have been developed domestically – some wholly original, but many bearing a heavy resemblance to existing shows from other markets, with similar gameplay, similar sets, and even similar names.

This raises an interesting question from the intellectual property perspective as to whether owners or creators of game shows can charge these copycat shows with infringement. In other words, are format rights recognised as a copyright and can a game show be protected under intellectual property law? 

Globally, this is a question without a clear and explicit answer. The Format Recognition and Protection Association (FRAPA), a trade association formed in 2000 to advocate recognition of television formats as intellectual property, strongly believes that format rights are protectable and has been working to convince courts and lawmakers around the world to define these rights under law. However, recognition of format rights is still very limited, and is often determined on a case-by-case basis. 

A common argument from legal experts is that because the format of a game show is only composed of ideas, which are not protected by law, it cannot be the subject of copyright (for reference, Green v Broadcasting Corporation of New Zealand in 1989). However, others argue that if the format of a game show is an intellectual creation and contains key elements which have unique originality, and it is not just a combination of general and commonplace elements, it can be protected under copyright law (for reference, Meakin v BBC [2010] EWHC 2065).

Format rights in Vietnam

Vietnam’s IP Law does not stipulate any protection of formats and there are no provisions on infringement and enforcement of format rights. In other words, format rights have not yet been recognised in Vietnam. However, it is believed that a game show can still be separately protected under the IP Law via copyright for (i) literary works for the scripts; and (ii) dramatic works for the ‘expression’ of the game show on stage (including the concept, structure, studio and lighting design, rules, etc.).

The IP Law does not require copyright owners/authors to register their works (in this context, the literary work or the dramatic work) but it is a recommended and easy way to prove the ownership of a copyrighted work in order to prevent potential infringement. 

Assessment of copyright infringement between game shows

Although there is a way to partially protect the copyright of a game show, when it comes to a claim of copyright infringement, it is far more complicated, especially when the global entertainment industry has created and televised hundreds of game shows with many features and elements in common.

To establish copyright infringement, including for literary works and dramatic works, there are at least three criteria to consider: originality, the similarity of the disputed works, and the willfulness of the alleged infringer. 

Originality can be difficult to prove. Many game shows fall into recognisable categories with similar ideas and structures, like quiz shows or talent contests. For example, most singing competitions, like the ‘Idol’ and ‘The Voice’ franchises, have contestants demonstrate their talents on stage, after which the panelists/judges give comments and scores, and contestants are eliminated from round to round until a championship or grand finale finds a winner of the show. When a game show’s format has these very common elements, it is hard to claim they give the show originality. And even though each game show is an interactive event where the participants have the freedom to act and comment beyond any prewritten script, it is doubtful that such acting and reacting can make the whole game show original.

Discerning the similarities between disputed game shows is also important when considering whether an allegedly infringing show is a copy or a derivative work of the earlier show. To this extent, it is necessary to identify whether the similar elements are essential to the whole show or just coincidental. For example, both ‘Who Wants to Be a Millionaire?’ and ‘Rồng Vàng’ (a popular game show in Vietnam from 2003 to 2007, licensed from a Thai show) have similar elements and structures wherein a single contestant tackles a series of multiple-choice, general-knowledge questions to win a large cash prize, and can confer with family and friends to find the answer.

A viewer of both shows would certainly recognise a resemblance and might confuse one for the other. However, to our knowledge, no infringement suit was ever pursued, likely due to the originality issue. The elements that were most similar were common or even inherent to the quiz show genre, while the elements that were arguably the most distinctive – such as the amount of the cash prize, a key element of the ‘Millionaire’ brand –  were different.

Finally, the claimant must prove that the infringer willfully copied the copyrighted work in question. It is possible to prove this indirectly by showing that the original work was created, published, or registered before the copycat, and that the infringer should have known that its work could damage the claimant’s rights. 

Conclusion

While Vietnam’s IP Law does not expressively provide copyright protection for game shows, it is clear that a game show can indirectly be protected through its literary works and/or dramatic works. However, it is not easy to enforce the copyright of a game show in practice because in the entertainment industry, there is a blurred line between copyright infringement and the similarity of ideas among game shows. Thus, one must carefully evaluate and assess the show’s originality and the similarity between the disputed game shows, and the willfulness of the infringer. Only when all the criteria are satisfied can we say that there is a copyright infringement of the game show.

 

 

Trung Nguyen

IP director of HCMC Branch, T&G Law Firm LLC (TGVN), local associate firm of Tilleke & Gibbins

E: trung.n@tgvn.vn

 

Phuong Thuy Nguyen

Associate, T&G Law Firm LLC (TGVN), local associate firm of Tilleke & Gibbins

E: phuong.n@tgvn.vn


More from across our site

The UPC held a pilot training system for its new IT system in London last Thursday, June 30, and a full programme will follow later this year
In-house sources say clarity on what counts as lawful access to data will be key to the success of the UK’s new copyright exception
The attitude of ISPs continues to shift following a copyright claim filed at the England and Wales High Court
The EU is seeking to create a single market for data and trade secrets owners will need to prepare early, according to IP lawyers at Osborne Clarke
In-house and private practice counsel discuss issues with pre-grant opposition in India, including the rise of non-speaking orders and straw man filings
The US Supreme Court rejected an appeal on American Axle, dashing hopes of a judicial fix to patent eligibility uncertainty
The Copyright Office refused to grant protection on the basis that the authorship couldn’t be distinguished from the final work produced by the program
COVID vaccines top Clarivate’s new brands list; Fed Circuit reverses Coca-Cola’s TTAB win; Skechers sues Brooks; USPTO to retire Public PAIR tool; CCB sees cricket complaint
Lawyers should pay attention to APJs’ questions and remember that PTAB proceedings aren’t jury trials, say former PTAB judges
The USPTO cancelled ‘Galavava’ and 'Surfstar Wake' and partly cancelled ‘Heika’ this month
We use cookies to provide a personalized site experience.
By continuing to use & browse the site you agree to our Privacy Policy.
I agree