Challenges to Copyright Amendment Act, 2012

Challenges to Copyright Amendment Act, 2012

The Copyright Amendment Act, 2012, which came into force on June 21 2012, introduced major changes in the Indian Copyright Law. Various production houses and music labels have challenged the constitutional validity of these amendments before the Delhi High Court, by different petitions.

The amended Section 17 recognises the rights of the author as the first owner of original literary, dramatic, musical and artistic works, even if such works are commissioned under a contract as part of a cinematograph film. The producers have alleged that the amendment deprives them of equal protection as opposed to owners of other types of work.

The amended Sections 18 and 19 provide that authors of original literary works included in a cinematograph film shall be entitled to an equal share of royalties along with the producers of the films, when the copyrighted works are exploited in any form other than by way of display in a cinema hall. The artists cannot even assign or waive this right and any contract to the contrary would be void.

The producers have alleged that the amendment violates Article 14 by creating special rights only for lyricists/composers and thus discriminates against other classes of authors. The producers have also alleged violation of Article 19(1)(g) since it places an unreasonable restriction on their right to carry on their trade.

The music labels are concerned that the amended Section 31(1)(b) and Section 31 D of the Act violate Articles 14, 19(1)(g) and Article 300A. Both provisions deal with compulsory licences of musical works and it has been claimed that the provisions discriminate between different classes of works provided under the Act as well as between different categories of rights provided in respect of a copyright work.

It is also claimed that the provisions have curbed their freedom of contract by eliminating the incentive to third parties to seek voluntary licencses. The producers further argue that the provisions enable deprivation of their property rights without there being an urgent and primarily public necessity. It is also claimed that the Copyright Board has been delegated with too much unregulated discretionary power. The newly notified Rules dealing with the membership qualification for the Copyright Board have been separately challenged.

Other provisions of the amendments to the Act and the Rules have been challenged as well. The amendments were passed amid much controversy and fanfare and it will be crucial to see how the Delhi High Court rules in all these petitions.

lakshmikumaran.jpg

V Lakshmikumaran


Lakshmi Kumaran & Sridharan

B6/10 Safdarjung Enclave

New Delhi 110029

India

Tel: +91 11 41299800

Fax: +91 11 41299899

vlakshmi@lakshmisri.com

www.lslaw.in

more from across site and SHARED ros bottom lb

More from across our site

Publicly listed Australian group IPH delivered on its promise to profoundly shake up the Canadian market. Four years on, rivals have had time to adapt
IP practitioners debate whether new guidelines will make it more difficult to challenge a patent
Varuni Paranavitane says she is excited to bring ‘rounded expertise’ to the firm, which will have a solicitor in its ranks for the first time
Lawyers adapting to AI-driven recommendations are being pushed to demonstrate expertise publicly rather than simply relying on a polished website
Mid-market businesses looking to establish an online presence need ‘holistic’ brand protection services at an accessible cost, according to partners
Our latest update also includes the latest case filing statistics, and an update on how a transatlantic merger could be a UPC opportunity for the US half of the partnership
New partners, from biotech company Leyden Labs and Novartis, take the total number of partner hires to 12 since the firm took on external investment in late 2024
Labelled the ‘largest law firm merger in history’, the new outfit could also spell an opportunity for US clients to capitalise on Hogan Lovells' UPC expertise
Andy Lee and Amy Brooks of Brandsmiths explain how the firm secured a win for Peppa Pig over rival children’s character Wolfoo, in a case that centred on copied audio clips
Pedro Moreira outlines proposals by INPI that look set to open a discussion regarding biological materials, extracts, sequences, genetically edited plants, and computer programs
Gift this article