UK extends copyright protection

Managing IP is part of Legal Benchmarking Limited, 1-2 Paris Gardens, London, SE1 8ND

Copyright © Legal Benchmarking Limited and its affiliated companies 2026

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

UK extends copyright protection

The UK has implemented a 2011 European directive extending copyright protection for sound recordings from 50 years to 70 years after the recording is made

Cliff Richard

The changes are brought in by the Copyright and Duration of Rights in Performances Regulations 2013, implementing EU Directive 2011/77/EU. The Regulations were made on July 17, laid before Parliament on July 18 and come into force today (November 1).

The Regulations also harmonise the length of copyright term for co-written works. The copyright will expire 70 years after the death of the last surviving author.

Additional measures introduced include:

  • A session fund, which will pay session musicians 20% of revenues from sales of their recordings;

  • A so-called clean slate provision, under which a producer may not make deductions from payment to performers; and

  • A use-it or lose-it clause, allowing performers and musicians to claim back their performance rights if they are not being commercially exploited.

The Directive was agreed following lobbying from European performers, many of whose rights were set to expire under the 50-year rule. Some people dubbed it the Cliff Richard law, after the performer (right).

It was controversial, as several studies (such as the Gowers Review) had recommended not changing the copyright term, and some member states – notably Belgium and Sweden – opposed it.

In a statement, Minister for IP Lord Younger said: “These changes demonstrate the Government`s ongoing commitment to, and support for, our creative industries - who are worth billions to our economy.”

Jo Dipple, chief executive of UK Music, said: “We are pleased that the Government is implementing changes that acknowledge the importance of copyright to performers and record companies. This change will mean creators can rightfully continue to make a living from their intellectual property and works.”

more from across site and SHARED ros bottom lb

More from across our site

Anita Cade, head of Ashurst’s IP and media team in Australia, discusses why law firms that can pull together capability across different practice areas and jurisdictions stand to gain
INTA’s CEO says London-based firms have registered fewer delegates compared to past meetings in San Diego and Atlanta, and questions the 'ethics' of trying to participate without registering
Lobbies and interest groups are among the interveners in a major dispute over whether courts can set patent pool rates
Benoit Geurts and Coreena Brinck will help the firm ‘accelerate its innovation agenda’, according to its managing partner
News of a trademark row over Taylor Swift’s ‘The Life of a Showgirl’ and Nokia’s expansion of its IoT licensing programme were also among the top talking points
IP attorneys share how the Cox v Sony ruling impacts their counselling strategies, and if the case could influence how courts may assess liability for AI platforms
Natasha Daughtrey shares how firms can help their women litigators take the lead on trials, and why she is seeing a convergence of tech and life sciences disputes
The LMG Life Sciences Awards is thrilled to present the shortlist for the 2024 EMEA Awards
Having agreed to a cost cap in the landmark Emotional Perception AI case, the government should do the right thing and pay at least the bare minimum
Ruth Hoy will join the firm's IP practice alongside Huw Cookson, who will also become a partner
Gift this article