France: Originality and beauty are not the same

Managing IP is part of Legal Benchmarking Limited, 1-2 Paris Gardens, London, SE1 8ND

Copyright © Legal Benchmarking Limited and its affiliated companies 2026

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

France: Originality and beauty are not the same

Sponsored by

beau-de-lomenie.png

European regulations provide the possibility for works of applied art to benefit from both design right protection and copyright protection (for artistic work). Each form of protection is subject to its own specific rules. The scope and conditions of protection by copyright are subject to national rules.

The Court of Justice of the European Union (CJEU) has clarified the conditions for protection by copyright.

The litigation involved a designer. He complained that several of his clothing designs had been copied and he claimed copyright protection for these designs as original intellectual creations, as they were works producing an aesthetic effect. The first and second instance courts in Portugal ruled that "copyright benefits applied art works, industrial design and design works as long as they present an original character, namely they result from an intellectual personal creation from their author, without requiring a certain aesthetic or artistic value", deciding that the relevant clothes designs indeed benefit from such protection.

The CJEU was then asked to rule on whether a design could qualify as a work of art under copyright law,on the sole condition that the design produces, beyond its utilitarian purpose, an aesthetic effect.

The court first underlined that the notion of work is an autonomous concept of the European Union that must be given a uniform interpretation throughout the union, and needs two cumulative elements:

  • An original object – this object must reflect the author's own personality, expressing his original and personal choices. An object only realised under technical considerations that do not allow any creative freedom cannot be qualified as original

  • An object that can be identifiedobjectively and precisely enough, so it may be clearly known. The object cannot be identified on the basis of sensations, which are inherently subjective

The court then ruled that the aesthetic effect that might result from a design derives from the subjective sensation of beauty felt by any person who looks at it and is not objective and precise. Hence, even if these aesthetic considerations contribute to the creation, the fact that an aesthetic effect results from the design per se is not sufficient to determine whether the design is a work of art (decision of September 12 2019 (C-683-17), on a preliminary question of the Portugal Supreme Court).

For the full version of this article, please click here: http://bit.ly/IPNewsBDL1019

marie.jpg

Aurélia Marie

Cabinet Beau de Loménie

158, rue de l’Université

F - 75340 Paris Cedex 07 France

Tel: +33 1 44 18 89 00

Fax: +33 1 44 18 04 23

contact@bdl-ip.com

www.bdl-ip.com

more from across site and SHARED ros bottom lb

More from across our site

Partner Rob Jacob unveils plans to offer a beginning-to-end trademark service, how to make prosecution profitable, and why IP ‘buy-in’ from the CEO stands the firm in good stead
Sponsored by CAS
CAS provides practical pointers on how intellectual property and R&D teams can work in tandem to unlock tangible benefits and avoid wasted spend
Sponsored by CAS
CAS explores how AI is transforming intellectual property, from inventorship and copyright disputes to new demands on patent attorneys
Sponsored by That.Legal
Gillian Tan of That.Legal discusses a recent decision by the Intellectual Property Office of Singapore and what it reveals about the evidential burden in bad-faith trademark claims
Attorneys at Di Blasi, Parente & Associados share how the protection of trade secrets strengthens innovation by bringing together legal practice, regulatory developments, and established international references
Jin Ooi, who joins as a partner today, said he is excited to offer a ‘rounded’ IP service as the firm deepens its litigation expertise in the UK and Europe
As generics celebrate, practitioners believe innovator companies should brace for an ‘uphill battle’ when trying to prove induced infringement
A team from Cooley shares how they overturned a massive damages award by emphasising that the opposing company’s trade secrets claims were time-barred
Sponsored by Licks Attorneys
Eduardo Hallak, Rafaella Oliveira, and Laís Souza of Licks Attorneys explain how the provision operates in practice, highlighting evidential hurdles and best practices for patent applicants
Sponsored by Liu, Shen & Associates
Chunyu Cui and Ziqing Wu of Liu, Shen & Associates say recent trends in China’s intellectual property courts indicate alignment with international standards and send a clear signal to the global market
Gift this article