UK extends copyright protection

Managing IP is part of Legal Benchmarking Limited, 1-2 Paris Gardens, London, SE1 8ND

Copyright © Legal Benchmarking Limited and its affiliated companies 2025

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

UK extends copyright protection

The UK has implemented a 2011 European directive extending copyright protection for sound recordings from 50 years to 70 years after the recording is made

Cliff Richard

The changes are brought in by the Copyright and Duration of Rights in Performances Regulations 2013, implementing EU Directive 2011/77/EU. The Regulations were made on July 17, laid before Parliament on July 18 and come into force today (November 1).

The Regulations also harmonise the length of copyright term for co-written works. The copyright will expire 70 years after the death of the last surviving author.

Additional measures introduced include:

  • A session fund, which will pay session musicians 20% of revenues from sales of their recordings;

  • A so-called clean slate provision, under which a producer may not make deductions from payment to performers; and

  • A use-it or lose-it clause, allowing performers and musicians to claim back their performance rights if they are not being commercially exploited.

The Directive was agreed following lobbying from European performers, many of whose rights were set to expire under the 50-year rule. Some people dubbed it the Cliff Richard law, after the performer (right).

It was controversial, as several studies (such as the Gowers Review) had recommended not changing the copyright term, and some member states – notably Belgium and Sweden – opposed it.

In a statement, Minister for IP Lord Younger said: “These changes demonstrate the Government`s ongoing commitment to, and support for, our creative industries - who are worth billions to our economy.”

Jo Dipple, chief executive of UK Music, said: “We are pleased that the Government is implementing changes that acknowledge the importance of copyright to performers and record companies. This change will mean creators can rightfully continue to make a living from their intellectual property and works.”

more from across site and SHARED ros bottom lb

More from across our site

Tilleke & Gibbins topped the leaderboard with four awards across the region, while Anand & Anand and Kim & Chang emerged as outstanding domestic firms
News of a new addition to Via LA’s Qi wireless charging patent pool, and potential fee increases at the UKIPO were also among the top talking points
The keenly awaited ruling should act as a ‘call to arms’ for a much-needed evolution of UK copyright law, says Rebecca Newman at Addleshaw Goddard
Lawyers at Lavoix provide an overview of the UPC’s approach to inventive step and whether the forum is promoting its own approach rather than following the EPO
Andrew Blattman, who helped IPH gain significant ground in Asia and Canada, will leave in the second half of 2026
The court ordering a complainant to rank its arguments in order of potential success and a win for Edwards Lifesciences were among the top developments in recent weeks
Frederick Lee has rejoined Boies Schiller Flexner, bolstering the firm’s capabilities across AI, media, and entertainment
Nirav Desai and Sasha S Rao at Sterne, Kessler, Goldstein & Fox explore how companies’ efforts to manage tariffs by altering corporate structures can undermine their ability to assert their patents and recover damages
Monika Żuraw, founder of Żuraw & Partners, discusses why IP should be part of the foundation of a business, and taking on projects that others walk away from
Lawyers say attention will turn to the UK government’s AI consultation after judgment fails to match pre-trial hype
Gift this article