France: Originality and beauty are not the same

Managing IP is part of Legal Benchmarking Limited, 1-2 Paris Gardens, London, SE1 8ND

Copyright © Legal Benchmarking Limited and its affiliated companies 2026

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

France: Originality and beauty are not the same

Sponsored by

beau-de-lomenie.png

European regulations provide the possibility for works of applied art to benefit from both design right protection and copyright protection (for artistic work). Each form of protection is subject to its own specific rules. The scope and conditions of protection by copyright are subject to national rules.

The Court of Justice of the European Union (CJEU) has clarified the conditions for protection by copyright.

The litigation involved a designer. He complained that several of his clothing designs had been copied and he claimed copyright protection for these designs as original intellectual creations, as they were works producing an aesthetic effect. The first and second instance courts in Portugal ruled that "copyright benefits applied art works, industrial design and design works as long as they present an original character, namely they result from an intellectual personal creation from their author, without requiring a certain aesthetic or artistic value", deciding that the relevant clothes designs indeed benefit from such protection.

The CJEU was then asked to rule on whether a design could qualify as a work of art under copyright law,on the sole condition that the design produces, beyond its utilitarian purpose, an aesthetic effect.

The court first underlined that the notion of work is an autonomous concept of the European Union that must be given a uniform interpretation throughout the union, and needs two cumulative elements:

  • An original object – this object must reflect the author's own personality, expressing his original and personal choices. An object only realised under technical considerations that do not allow any creative freedom cannot be qualified as original

  • An object that can be identifiedobjectively and precisely enough, so it may be clearly known. The object cannot be identified on the basis of sensations, which are inherently subjective

The court then ruled that the aesthetic effect that might result from a design derives from the subjective sensation of beauty felt by any person who looks at it and is not objective and precise. Hence, even if these aesthetic considerations contribute to the creation, the fact that an aesthetic effect results from the design per se is not sufficient to determine whether the design is a work of art (decision of September 12 2019 (C-683-17), on a preliminary question of the Portugal Supreme Court).

For the full version of this article, please click here: http://bit.ly/IPNewsBDL1019

marie.jpg

Aurélia Marie

Cabinet Beau de Loménie

158, rue de l’Université

F - 75340 Paris Cedex 07 France

Tel: +33 1 44 18 89 00

Fax: +33 1 44 18 04 23

contact@bdl-ip.com

www.bdl-ip.com

more from across site and SHARED ros bottom lb

More from across our site

Drew & Napier’s leadership appointments show one way full-service firms can back up claims about the strategic importance of IP
Strike-out application will hear claims that the copyright aspect of an IP infringement claim brought by a gambling and sports betting group should be dropped
Amongst a sea of mergers, Lathrop GPM and HG Law have set out plans to combine, positioning themselves to compete with both IP boutiques and full-service firms
Patrícia Paias explains why she loves the science and business behind an idea and why potential rights owners must avoid the ‘file and forget’ philosophy
Lawyers eagerly await news of what IP specialist Sir Colin Birss will bring to one of the England and Wales judiciary’s most important roles
María Aurora García of Berken IP explains how intellectual property rights holders can use customs monitoring and online enforcement tools to identify parallel imports and support compliance with consumer protection rules
The Jakarta-based firm says personal networks and a distinctive strategy can help it guide foreign clients through what can be a tricky IP landscape
Munich litigation boutique formed by former Taylor Wessing partners continues expansion as it seeks to cement its position in the UPC market
Yvonne Tang and Siau Wen Lim, the second and third IP specialists to sit on the firm’s management committee, say IP is ‘uniquely positioned’ to support cross-practice work
As competing firms come under common ownership, clients may care less about formal conflicts and more about how openly firms discuss them
Gift this article