What makes a parody? The CJEU explains

Managing IP is part of Legal Benchmarking Limited, 1-2 Paris Gardens, London, SE1 8ND

Copyright © Legal Benchmarking Limited and its affiliated companies 2026

Accessibility | Terms of Use | Privacy Policy | Modern Slavery Statement

Cookies Settings

What makes a parody? The CJEU explains

Europe’s highest court has ruled that the author of a work that is parodied with a discriminatory message may demand that the work is not associated with the message

ecj-200.jpg

In reaching its conclusion in the Belgian case Johan Deckmyn and Vrijheidsfonds VZW v Helena Vandersteen and Others, the Court also clarified the rules on parody, holding that its only – and essential – characteristics are that it evokes an existing work while being different from it, and that it is an expression of humour or mockery The dispute began when Johan Deckmyn, a member of the right-wing Flemish Vlaams Belang party, handed out 2011 calendars featuring a drawing which resembled the cover of a Suske en Wiske comic book with the original title “De Wilde Weldoener” (“The compulsive benefactor”).

The comic book (below left) was produced in 1961 by Willy Vandersteen. In Deckmyn’s version (below right), the original image of a person wearing a white tunic surrounded by people trying to pick to pick up the coins he was scattering all around was replaced by an image of the mayor of the city of Ghent. The people picking up the coins were replaced by people wearing veils and by ethnic minorities.

spikeandsuzycover.png
deckmyn-as-lambic.png

A number of Willy Vandersteen’s heirs and other holders of rights to his comic book series sued Deckmyn and the Vrijheidsfonds (an organisation financing the Vlaams Belang) for copyright infringement. They rejected the defence’s claim that the work was a parody, arguing that it had showed no originality. They also alleged that the drawing in issue conveyed a discriminatory message.

The first instance court ruled that the calendars infringed the Suske en Wiske copyright and that the parody exception did not apply.

The Court of appeal asked the CJEU to answer three questions to clarify the rules:

1. Is the concept of 'parody' an independent concept in European Union law?

2. If so, must a parody satisfy the following conditions or conform to the following characteristics: the display of an original character of its own (originality); and such that the parody cannot reasonably be ascribed to the author of the original work; be designed to provoke humour or to mock, regardless of whether any criticism thereby expressed applies to the original work or to something or someone else; and mention the source of the parodied work?

3. Must a work satisfy any other conditions or conform to other characteristics in order to be capable of being labelled as a parody?

In May the Advocate General offered his opinion (opinion not available in English). He said that “parody” is an independent concept, because the Copyright Directive did not explicitly leave its definition to the national law. He argued that a certain degree of mockery and originality is required before a work can be considered a parody.

Now the Court has ruled that, based on the use of the word parody in everyday language, the essential characteristics of parody are, on the one hand, to evoke an existing work while being noticeably different from it and, on the other, to constitute an expression of humour or mockery. It need not display an original character of its own, as long as there are noticeable differences from the original work.

It went on to say that the copyright exception in the Copyright directive is aimed at balancing the rights of IP owners with the rights of freedom of expression.

The plaintiffs claim that Deckmyn’s picture conveys a discriminatory message and associates Vandersteen’s work with that message.

The Court said that it is for the national court to assess whether the message is discriminatory.

“If it is … attention should be drawn to the principle of non-discrimination based on race, colour and ethnic origin, as was specifically defined in Council Directive 2000/43/EC of 29 June 2000 implementing the principle of equal treatment between persons irrespective of racial or ethnic origin [and confirmed by] Article 21(1) of the Charter of Fundamental Rights of the European Union.”

It added that in these circumstances, copyright owners, such as the plaintiffs in this case, “have, in principle, a legitimate interest in ensuring that the work protected by copyright is not associated with such a message”.

Now the Belgian court must decide whether applying the parody exception in this case does strike a fair balance between the parties’ differing interests.

more from across site and SHARED ros bottom lb

More from across our site

The firm is shaping its AI strategy around partnerships with Harvey and Legora alongside internally developed tools from its legal technology company, ELTEMATE
A dispute Down Under shows why trademark lawyers cannot afford to wait on the sidelines when a rival brand gathers momentum
The Third Circuit’s decision in Thomson Reuters v ROSS marks the first appellate-level decision addressing AI and fair use, prompting copyright counsel to consider arguments around potential licensing markets
Injunctions for HandsFree Labs and Align Technology come as the Court of Appeal warns that busy teams must have the staffing and resources to meet UPC deadlines
The chief technology officer remit, which has been created as the firm is building its litigation team, will include expanding the use of AI in patent and legal work and automating manual processes
Former Hoyng Rokh Moneiger partner Laura Alonso, who brought her team to ECIJA in March, discusses plans to expand further and why ECIJA’s ‘IP DNA’ is helping broaden her work
Amita Haylock discusses building an integrated Asia practice as clients increasingly demand that firms combine IP, technology and data expertise
François Pochart, Grégoire Desrousseaux and Lionel Martin, long-standing figures in the firm’s patent litigation team, are set to help launch a Paris-based litigation offering
The Unitary Patent has passed 100,000 registrations, but new data raises the question of whether 30% uptake is a ceiling or a staging post for further growth, say Michael Nielsen and Darren Smyth of EIP and Andrew Samm at Patently
The new generation of in-house IP leaders want commercial judgment, accessibility and flexibility, with AI raising expectations around both fees and delivery
Gift this article